info@jaapderuig.nl
JAAP DE RUIG
2019
-
Zeven
tranen,
het
vierde
gesticht
in
Veenhuizen
/
Seven Tears, The Fourth Asylum in Veenhuizen
Literary
video,
33
min.
(film:
Jaap
de
Ruig,
text
and
voice-over: Mariët Meester).
* All videos on this website are fragments.
Writer
Mariët
Meester,
who
grew
up
in
the
prison
village
of
Veenhuizen,
did
a
performance
at
the
Veenhuizen
cemetery.
Standing
at
the
head
of
seven
diifferent
gravestones,
she
told
her
audience
the
story
of
the
person
buried
there.
After
finishing
at
one
grave,
a
flute
player
lured
them
to
another
grave
at
another
spot
of
the
cemetery.
LIke
in
a
funeral
procession
the
audience
follewed
her.
In
the
video
no
persons are visible.
2020
-
Uitgeverij
Caprae
/
Publishing
House
Caprae,
a
project
by
Jaap
de
Ruig.
Including:
design,
photography,
illustrations,
production
and
web
design of
www.uitgeverijcaprae.nl
Founding
of
own
publishing
house.
The
name
refers
to
the
idiosyncratic
and
at
the
same
time
friendly
nature
of
the
goat
(latin:
capra).
Although
the
animal
is
often
associated
with
deforestation
and
desertification,
it
is
the
goatherd
(mankind)
who
is
responsible.
The
number
of
copies
for
an
edition
is
therefore
limited.
Each
book
is
numbered,
signed
by
the
author
and
contains
a
hand-colored
drawing.
In
2020
and
2021
Caprae
published
three
novels,
all
written
by
author
Mariët
Meester:
a
new
novel
Pingping
and two reprints of ‘classic’ ones.
2015
-
The
Prison
Village,
Veenhuizen
In
The
20th
Century
- 48 min., documentary based on oral history
Dutch
writer
Mariët
Meester
grew
up
in
a
prison
village,
Veenhuizen,
surrounded
by
hundreds
of
No
Trespassing
signs.
At
the
beginning
of
the
twentieth
century
homeless
men,
the
so-called
'patients',
were
housed
there
in
three
asylums.
During
World
War
II
the
asylums
became
prisons.
The
documentary
depicts
a
remarkable
enclave
in
the
Netherlands.
Residents
and
former
residents
told
the
author
about
working
and
living
in
this
closed
community,
where
no-one
else
could
enter.
The
interviews
were
taken
as
a starting point for the documentary.
Early works click here
2009
-
The
Source,
One
Day
In
A
Roma
Settlement
in
Romania
-
40
min.,
video
installation
/
creative
documentary.
Hetea
is
an
isolated
settlement
in
Central
Romania.
Around
350
people
live
in
handmade
huts.
We
experience
one
common
day
in
Hetea.
The
day
starts
out
pastorally
enough:
guiding
cows
and
horses,
building
a
new
wooden
house,
etc.
In
the
afternoon,
suddenly
the
fat
is
in
the
fire.
People
scream
and
threaten
each
other.
Little
by
little
the
serene
atmosphere
returns,
but
the
aftereffects
of
the
quarrel
are still audible.
Jaap
de
Ruig
prepared
the
film
for
seventeen
years
and
recorded
it
in
one
day.
He
chose
not
to
subtitle
because
then
he
would
have
given
too
much
meaning
to
words,
which
divert
from
the
universal
character
of
the images.
2018
-
Een
dier
/
een
mens
-
An
Animal
/
A
Human
Being
, a manifestation consisting of:
-
Mini-symposium
in
theater
Boom
Chicago,
Amsterdam.
-
When
The
Cows
Come
Home
-
A
video
loop
of
a
herd
of
cows
walking
toward
the
center
of
Amsterdam
behind the windows of five canal houses.
-
Sacrifice
-
Exhibition
of
a
series
of
105
drawings
of
ten
families
of
piglet
portraits.
The
piglets
are
numbered
by
ear
notching.
Their
eyes
are
slightly
humanized to regive them their individuality..
-
Requiem
For
Pigs
-
Edited
found
footage
video
of
pig
maltreatment
with
a
music
score
of
the
transformed
pig sounds, 14 min., black peep box.
2010
-
Wisdom
And
Hell
-
performance
i.c.w. Romanian
Roma funnelmaker David Vasile.
For
Jeroen
Bosch
the
funnel
is
a
symbol
of
both
wisdom
and
deceit.
Dante
describes
hell
as
an
enormous funnel-shaped cavern with nine circles.
Jaap
de
Ruig's
exhibition
space
in
the
section
No
Holds
Barred
at
Art
Amsterdam
2010
was
fitted
out
as
a
workplace.
In
a
circle
of
light,
David,
a
young
Romanian
gypsy,
was
making
tin
funnels.
A
video
projection
on
the
back
wall
showed
how
he
and
his
family
work
at
home.
David
scrapes
a
living
by
hawking
his
funnels
beside
the
main
road.
This
has
become
more
and
more
difficult
since
Romania
joined
the EU.
Jaap
de
Ruig
and
David
are
acquainted
since
the
beginning
of
the
nineties.
Although
Jaap
de
Ruig
was
the
'official'
artist,
it
was
their
mutual
desire
to
work
together
and
focus
attention
on
themes
as:
household
goods
versus
design,
Romanian
Roma
poverty
versus
Western
European
wealth,
the
symbolic
value
of
the
funnel,
and
the
beauty
of
craftmanship.
2017
-
Life
After
A
Bicycle
Accident
-
Two-screen
video
installation, 31 minutes.
This
video
installation
tells
the
story
of
a
just
married
Dutch
piano
player
who
falls
off
his
bicycle
during
a
ride
through
France.
He
becomes
paralysed.
The
installation
starts
with
hands
playing
a
piano.
The
main
character
comes
into
the
picture.
He
says:
'There
is
the
story
that
you
don't
want
it
to
have
happened.'
While
his
voice
further
explains
what
did
happen
to
him,
we
see
two
images
side
by
side,
the
complementary
image
shows
him
busy
with
his
daily
chores.
An
intimate
portrait
of
the
consequences.
Conclusion:
in
the
end
such
an
accident
makes
no
difference
for
your
level
of
happiness.
2013 -
About A Bizarre Phenomenon Called Life
25 shorts.
Head Sharing
Bark
The Fight
Man (2)
Sweet Tulip Tears
To Kick Your Own Arse
2017
-
The
Morning
I
Was
So
Angry
At
My
Wife,
I
Smashed My 19th Century Guitar
6 hour video impression, restored guitar.
Two
years
after
the
event,
the
artist
opened
the
trash
bag
with
the
remains
and
began
restoring
meticulously the instrument.
2017
-
De
woonwagen,
dat
ben
ik
/
The
Living
Wagon,
That’s
Me
-
33
min.
creative
documentary
and
an
installation
of
miniature
living
wagons,
i.c.w.
Dutch
travelers.
Since
the
Living
Wagon
Act
of
1968,
Dutch
travelers
are
no
longer
allowed
to
lead
an
itinerant
life.
The
government
felt
it
had
too
little
control
over
"people
without
a
permanent
residence".
The
current
caravans
may
no
longer
have
wheels,
for
most
of
the
travelers
the
desire
for
freedom
is
still
important.
The
living
wagon
is
their
culture
and
identity.
Over
the
years,
Jaap
de
Ruig
noticed
that
many
of
them
possess
miniatures
of
their
former
traveling
wagons.
For
an
exhibition
in
Museum
De
Domijnen
in
Sittard
the
artist
contacted
travelers
who
lived
nearby.
A
number
of
them
were
willing
to
lend
him
their
miniatures,
which
were
exhibited
in
the
museum
in
combination
with
a
short
documentary
in
which
the
owners
explain
why
those
wagons
are
so
important
to them.
2011-2015 - Wat David ziet /
What David Sees
A project i.c.w. David Vasile. 6000 photos, 39 min.
documentary, photo book.
What
David
Sees
is
a
continuation
of
Wisdom
and
Hell
(see
below),
a
project
which
was
presented
at
Art
Amsterdam
2010.
David,
a
Romanian
Roma
funnelmaker
who
was
very
interested
in
the
photos
exhibited
at
the
fair,
asked
Jaap
if
he
could
borrow
a
small
digital
photo
camera.
After
his
return
to
Romania
he
started
taking
pictures
of
everything
he
saw
in
the
Roma
quarter
where
he
lives,
as
well
while
selling
his
funnels.
Nearly
weekly
he
sent
the
photos
to
Jaap
de
Ruig
from
an
internet
cafe.
For
this
he
received
a
monthly
fee
which
was
gathered
by
crowdfunding.
What
David
Sees
has
social,
historical
and
aesthetic
dimensions.
It
is
important
for
the
Romanian
Roma
to
capture
their
own
existence.
Photographs
are
a
tool
for
historical
awareness
and
can
be
a
basis
for
self
esteem.
Complete documentary
2019
-
Verlost
als
vogel
/
Redeemed
As
a
Bird
-
loop
1’,38’’,
video
installation
on
the
windows
of
the
old
grocery
store
in
the
open-air
museum
It
Dams
Hus
in
Nij
Beets.
A
flight
of
birds
appears
over
the
landscape
of
nearby
Kortehemmen.
Suddenly
one
of
the
birds
leaves
the
group
and
undergoes
a
metamorphosis
during
his
descent.
The
birds
are
symbolized
by
hands.
Jaap
de
Ruig
spent
the
first
two
years
of
his
life
in
the
Woodbrookershuis
in
Kortehemmen,
in
those
days
an
educational
community
with
liberal
Protestant
views
and
socialist
ideals.
It
was
the
place
where
the
artist's
unmarried
mother
could
come
to
work
and
nurse
her
baby at the same time, free from civilian comments.
2021
-
GEEN
PANIEK
-
Een
jaar
in
lockdown
op
150m2
poldergrond
-
DON'T
PANIC
-
One
Year
in
Lockdown
on
150m² of Polder Land
Single screen video 4K, 56 min.
When
the
Netherlands
went
into
lockdown
in
March
2020,
Jaap
de
Ruig
moved
from
his
apartment
in
Amsterdam
to
his
wooden
caravan
outside
the
city.
He
immediately
started
filming
everything
that
happened
in
nature
within
range
of
his
camera,
but
the
camera
itself
had
to
stay
inside
the
fence
surrounding
the
caravan.
After
exactly
a
year,
he
edited
the
footage
into
a
film
of
which
the
soundtrack
synchronously
tells
how
human
society
experienced
the
same
period.
Conclusion:
Man
is
a
short-term
thinker
who
panics
when
hit
directly,
while
the
animals,
the
plants
and
the
elements
stoically
continue their life cycle.
This
project
was
made
possible
thanks
to
a
subsidy
from
VEVAM,
the
rights
organization
of
Dutch
film
and television directors.
2022 - Het vrolijke varken -
The Merry Pig
The
Mud
Pool
-
video
installation:
a
group
of
pigs
amuses
itself
around
a
mud
pool
behind
the
windows
of five canal houses in the center of Amsterdam.
The
Merry
Pig
-
Irony
for
Children
(and
Grown
Ups)
:
A
series
of
25
small
oil
paintings,
based
on
children's
toys
and
decorative
figurines.
Pigs
on
a
motorbike,
pigs
in
funny
hats,
pigs
with
pacifiers
and
bib;
man
comes
with
all
kinds
of
fabrications
about
the
animal
he
resembles.
See
also
the
explanation
of
the
artist
about the paintings:
https://youtu.be/dwSZvBx5L4I
For
more
information
on
the
farm
where
the
mud
pool was filmed:
https://youtu.be/UWf4sVTKfvc
JAAP DE RUIG
2017
-
De
woonwagen,
dat
ben
ik
/
The
Living
Wagon,
That’s
Me
-
33
min.
creative
documentary
and
an
installation
of
miniature
living wagons, i.c.w. Dutch travelers.
Since
the
Living
Wagon
Act
of
1968,
Dutch
travelers
are
no
longer
allowed
to
lead
an
itinerant
life.
The
government
felt
it
had
too
little
control
over
"people
without
a
permanent
residence".
The
current
caravans
may
no
longer
have
wheels,
for
most
of
the
travelers
the
desire
for
freedom
is
still
important.
The
living
wagon
is
their
culture
and
identity.
Over
the
years,
Jaap
de
Ruig
noticed
that
many
of
them
possess
miniatures
of
their
former
traveling
wagons.
For
an
exhibition
in
Museum
De
Domijnen
in
Sittard
the
artist
contacted
travelers
who
lived
nearby.
A
number
of
them
were
willing
to
lend
him
their
miniatures,
which
were
exhibited
in
the
museum
in
combination
with
a
short
documentary
in
which
the
owners
explain
why
those
wagons
are
so
important
to them.
2017
-
Life
After
A
Bicycle
Accident
-
Two-
screen video installation, 31 minutes.
This
video
installation
tells
the
story
of
a
just
married
Dutch
piano
player
who
falls
off
his
bicycle
during
a
ride
through
France.
He
becomes
paralysed.
The
installation
starts
with
hands
playing
a
piano.
The
main
character
comes
into
the
picture.
He
says:
'There
is
the
story
that
you
don't
want
it
to
have
happened.'
While
his
voice
further
explains
what
did
happen
to
him,
we
see
two
images
side
by
side,
the
complementary
image
shows
him
busy
with
his
daily
chores.
An
intimate
portrait
of
the
consequences.
Conclusion:
in
the
end
such
an
accident
makes
no
difference
for
your
level
of
happiness.
2011-2015 - Wat David ziet /
What David Sees
A project i.c.w. David Vasile. 6000 photos, 39
min. documentary, photo book.
What
David
Sees
is
a
continuation
of
Wisdom
and
Hell
(see
below),
a
project
which
was
presented
at
Art
Amsterdam
2010.
David,
a
Romanian
Roma
funnelmaker
who
was
very
interested
in
the
photos
exhibited
at
the
fair,
asked
Jaap
if
he
could
borrow
a
small
digital
photo
camera.
After
his
return
to
Romania
he
started
taking
pictures
of
everything
he
saw
in
the
Roma
quarter
where
he
lives,
as
well
while
selling
his
funnels.
Nearly
weekly
he
sent
the
photos
to
Jaap
de
Ruig
from
an
internet
cafe.
For
this
he
received
a
monthly
fee which was gathered by crowdfunding.
What
David
Sees
has
social,
historical
and
aesthetic
dimensions.
It
is
important
for
the
Romanian
Roma
to
capture
their
own
existence.
Photographs
are
a
tool
for
historical
awareness
and
can
be
a
basis
for
self esteem.
2015
-
The
Prison
Village,
Veenhuizen
In
The
20th
Century
-
48
min.,
documentary based
on oral history
Dutch
writer
Mariët
Meester
grew
up
in
a
prison
village,
Veenhuizen,
surrounded
by
hundreds
of
No
Trespassing
signs.
At
the
beginning
of
the
twentieth
century
homeless
men,
the
so-called
'patients',
were
housed
there
in
three
asylums.
During
World
War
II
the
asylums
became
prisons.
The
documentary
depicts
a
remarkable
enclave
in
the
Netherlands.
Residents
and
former
residents
told
the
author
about
working
and
living
in
this
closed
community,
where
no-
one
else
could
enter.
The
interviews
were
taken
as
a
starting
point
for
the
documentary.
About A Bizarre Phenomenon Called Life -
2013, 25 shorts.
Wisdom
And
Hell
-
2010,
performance
i.c.w. Romanian
Roma
funnelmaker
David
Vasile.
For
Jeroen
Bosch
the
funnel
is
a
symbol
of
both
wisdom
and
deceit.
Dante
describes
hell
as
an
enormous
funnel-shaped
cavern
with nine circles.
Jaap
de
Ruig's
space
in
the
section
No
Holds
Barred
at
Art
Amsterdam
2010
was
fitted
out
as
a
workplace.
In
a
circle
of
light,
David,
a
young
Romanian
gypsy,
was
making
tin
funnels.
A
video
projection
on
the
back
wall
showed
how
he
and
his
family
work
at
home.
David
scrapes
a
living
by
hawking
his
funnels
beside
the
main
road.
This
has
become
more
and
more
difficult
since
Romania
joined
the
EU.
Jaap
de
Ruig
and
David
are
acquainted
since
the
beginning
of
the
nineties.
Although
Jaap
de
Ruig
was
the
'official'
artist,
it
was
their
mutual
desire
to
work
together
and
focus
attention
on
themes
as:
household
goods
versus
design,
Romanian
Roma
poverty
versus
Western
European
wealth,
the
symbolic
value
of
the
funnel,
and
the
beauty
of craftmanship.
The
Source,
One
Day
In
A
Roma
Settlement
in
Romania
-
2009,
40
min.,
video
installation
/ creative documentary.
Hetea
is
an
isolated
settlement
in
Central
Romania.
Around
350
people
live
in
handmade
huts.
We
experience
one
ordinary
day
in
Hetea.
The
day
starts
out
pastorally
enough:
guiding
cows
and
horses,
building
a
new
wooden
house,
etc.
In
the
afternoon,
suddenly
the
fat
is
in
the
fire.
People
scream
and
threaten
each
other.
Little
by
little
the
serene
atmosphere
returns,
but
the
aftereffects of the quarrel are still audible.
Jaap
de
Ruig
prepared
the
film
for
seventeen
years
and
recorded
it
in
one
day.
He
chose
not
to
subtitle
because
then
he
would
have
given
too
much
meaning
to
words,
which
divert
from
the
universal
character
of
the
images.
2020
-
Uitgeverij
Caprae
/
Publishing
House
Caprae,
a
project
by
Jaap
de
Ruig.
Including:
design,
photography,
illustrations,
production
and web design of
www.uitgeverijcaprae.nl
Founding
of
own
publishing
house.
The
name
refers
to
the
idiosyncratic
and
at
the
same
time
friendly
nature
of
the
goat
(latin:
capra).
Although
the
animal
is
often
associated
with
deforestation
and
desertification,
it
is
the
goatherd
(mankind)
who
is
responsible.
The
number
of
copies
for
an
edition
is
therefore
limited.
Each
book
is
numbered,
signed
by
the
author
and
contains
a
hand-colored
drawing.
In
2020
and
2021
Caprae
published
three
novels,
all
written
by
author
Mariët
Meester:
a
new
novel
Pingping
and
two
reprints of ‘classic’ ones.
2019
-
Zeven
tranen,
het
vierde
gesticht
in
Veenhuizen
/
Seven
Tears,
The
Fourth
Asylum
in Veenhuizen
Literary
video,
33
min.
(film:
Jaap
de
Ruig,
text and voice-over: Mariët Meester).
* All videos on this website are fragments.
Writer
Mariët
Meester,
who
grew
up
in
the
prison
village
of
Veenhuizen,
did
a
performance
at
the
Veenhuizen
cemetery.
Standing
at
the
head
of
seven
diifferent
gravestones,
she
told
her
audience
the
story
of
the
person
buried
there.
After
finishing
at
one
grave,
a
flute
player
lured
them
to
another
grave
at
another
spot
of
the
cemetery.
LIke
in
a
funeral
procession
the
audience
follewed
her.
In
the
video
no
persons are visible.
2018
-
Een
dier
/
een
mens
-
An
Animal
/
A
Human Being
, a manifestation consisting of:
-
Mini-symposium
in
theater
Boom
Chicago,
Amsterdam.
-
When
The
Cows
Come
Home
-
A
video
loop
of
a
herd
of
cows
walking
toward
the
center
of
Amsterdam
behind
the
windows
of
five
canal houses.
-
Sacrifice
-
Exhibition
of
a
series
of
105
drawings
of
ten
families
of
piglet
portraits.
The
piglets
are
numbered
by
ear
notching.
Their
eyes
are
slightly
humanized
to
regive
them their individuality..
-
Requiem
For
Pigs
-
Edited
found
footage
video
of
pig
maltreatment
with
a
music
score
of
the
transformed
pig
sounds,
14
min., black peep box.
2017
-
The
Morning
I
Was
So
Angry
At
My
Wife,
I
Smashed My 19th Century Guitar
6 hour video impression, restored guitar.
Two
years
after
the
event,
the
artist
opened
the
trash
bag
with
the
remains
and
began
restoring meticulously the instrument.
Early works click here
Head Sharing
To Kick Your Own Arse
The Fight
info@jaapderuig.nl
2019
-
Verlost
als
vogel
/
Redeemed
As
a
Bird
-
loop
1’,38’’,
video
installation
on
the
windows
of
the
old
grocery
store
in
the
open-air
museum
It
Dams
Hus
in
Nij
Beets.
A
flight
of
birds
appears
over
the
landscape
of
nearby
Kortehemmen.
Suddenly
one
of
the
birds
leaves
the
group
and
undergoes
a
metamorphosis
during
his
descent.
The
birds
are symbolized by hands.
Jaap
de
Ruig
spent
the
first
two
years
of
his
life
in
the
Woodbrookershuis
in
Kortehemmen,
in
those
days
an
educational
community
with
liberal
Protestant
views
and
socialist
ideals.
It
was
the
place
where
the
artist's
unmarried
mother
could
come
to
work
and
nurse
her
baby
at
the
same
time,
free from civilian comments.
2021
-
GEEN
PANIEK
-
Een
jaar
in
lockdown
op
150m2
poldergrond
-
DON'T
PANIC
-
One
Year
in Lockdown on 150m² of Polder Land
Single screen video 4K, 56 min.
When
the
Netherlands
went
into
lockdown
in
March
2020,
Jaap
de
Ruig
moved
from
his
apartment
in
Amsterdam
to
his
wooden
caravan
outside
the
city.
He
immediately
started
filming
everything
that
happened
in
nature
within
range
of
his
camera,
but
the
camera
itself
had
to
stay
inside
the
fence
surrounding
the
caravan.
After
exactly
a
year,
he
edited
the
footage
into
a
film
of
which
the
soundtrack
synchronously
tells
how
human
society
experienced
the
same
period.
Conclusion:
Man
is
a
short-term
thinker
who
panics
when
hit
directly,
while
the
animals,
the
plants
and
the
elements
stoically
continue their life cycle.
This
project
was
made
possible
thanks
to
a
subsidy
from
VEVAM,
the
rights
organization
of Dutch film and television directors.
2022 - Het vrolijke varken -
The Merry Pig
The
Mud
Pool
-
video
installation:
a
group
of
pigs
amuse
themselves
in
and
around
a
mud
pool
behind
the
windows
of
five
canal
houses
in the center of Amsterdam.
The
Merry
Pig
-
Irony
for
Children
(and
Grown
Ups)
:
A
series
of
25
small
oil
paintings,
based
on
children's
toys
and
decorative
figurines.
Pigs
on
a
motorbike,
pigs
in
funny
hats,
pigs
with
pacifiers
and
bib;
man
comes
with
all
kinds
of
fabrications
about
the
animal
that
so
resembles
him.
See
also
the
explanation
of
the artist about the paintings:
https://youtu.be/dwSZvBx5L4I
For
more
info
on
the
farm
where
the
mud
pool was filmed:
https://youtu.be/UWf4sVTKfvc
